Gallup Motel Butchering

Saturday, January 17, 2015 – Saturday, February 21, 2015,
Venue: CentralTrak
Admission: Free
Season: 2014-15

Opening Reception: Saturday, January 17, 8 - 10 pm 

 

Description

On exhibition at CentralTrak is the four-channel video installation, Gallup Motel Butchering by artists' collective Postcommodity. In the artists' words, this work "explores the culturally sensible Indigenous perceptions and engagements juxtaposed with the theoretical ideas presented by Western thought.”

The video installation features a Navajo woman using a motel in Gallup, New Mexico as a temporary space to butcher a sheep that she will prepare for a family feast. The exhibition examines the contested space of tribal homeland, tradition, globalism, commerce, cultural continuity and cross-cultural opinion. 

Postcommodity is presenting a particular kind of collision when a cultural process may seem irrational or disturbing to an outsider. However in pragmatic indigenous terms, this tradition of sourcing food/meat acknowledges the interconnectedness of land, culture and community.

This motel scenario throws a kink into our romantic notions of visiting and observing Native American peoples. The setting provides a disruption, muddling past and present. The motel in question was constructed on the traditional homelands of the Navajo people. Said hotel gives tourists familiar comforts - acting as a touchstone perhaps, while they are observe cultural traditions that are unfamiliar. 

As an audience to this video installation, we are once again in the role of the tourist/colonizer viewing cultural tradition seemingly out-of-context against the assumptions of the Western imagination.

 

Other Programming for Exhibition 

(more information to follow)

Jan 22, 2015 at 7:00 PM. PANEL DISCUSSION

CentralTrak in collaboration with Make Art with Purpose (MAP) presents Dialogues on Race, a conversation with artists, cultural producers and community leaders about concerns connected to race that were explored in MAP’s Dialogues on Race billboard and mural campaign.

Feb 5, 2015 at 7:00 pm Next Topic: Carlos Martiel speaker, 

Carlos Martiel (born in Havana, 1989) is a controversial Cuban artist specializing in performance. His works focus on specific political events and on social injustices that occur inside and outside his country of origin. Martiel's performances reflect on the relations of power between the individual and the different contexts in which he or she operates.

Feb 7, 2015 at 5:00 – 7:00 pm: Performance by Carlos Martiel

Feb 20: CentralSounds: CentralTrak’s Music Series

Feb 21, 2015at 3:00 pm Artist Talk with exhibition artists Postcommodity

 

 

Bio

Postcommodity is an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martínez, Kade L. Twist and Nathan Young. Postcommodity’s art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting institutions, public perceptions, beliefs, and individual actions that comprise the ever-expanding, multinational, multiracial and multiethnic colonizing force that is defining the 21st Century through ever increasing velocities and complex forms of violence. Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self-determination with the broader public sphere. Postcommodity are the recipients of grants from the Telluride Institute (2007), American Composers Forum (2008), Arizona Commission on the Arts (2009), Elly Kay Fund (2010), Joan Mitchell Foundation (2010), Creative Capital (2012), Art Matters (2013), and the Native Arts and Cultures Foundation (2014). In 2011 the collective’s work was featured in “Close Encounters,” an international Indigenous exhibition exhibited in multiple venues throughout the city of Winnipeg, CA; Contour the 5th Biennial of the Moving Image in Mechelen, Belgium; Nuit Blanche, Toronto, CA; “Half Life: Patterns of Change,” Santa Fe Art Institute, Santa Fe, NM; “The Night is Filled With the Harmonics of Suburban Dreams,” Lawrence Art Center, Lawrence, KS; “Here,” Pennsylvania Academy of Fine Arts Museum; 18th Biennale of Sydney in Sydney, Australia; Adelaide International in Adelaide, Australia; and Time Lapse, Site Santa Fe, in Santa Fe, NM. 

 

 

 

 

ABOUT CENTRALTRAK

 

CentralTrak, The University of Texas at Dallas Artists Residency, established in 2008, is dedicated to the creation, presentation, and advancement of the contemporary arts. As a live/work space for eight artists, it serves as a community center in the North Texas area for broad intellectual discourse around the arts. While the residency promotes artistic experimentation through its support of production, the companion gallery encourages critical engagement in a local urban context through exhibitions and related programs. By building on the forward-thinking academic resources of the School of Arts & Humanities at The University of Texas at Dallas, CentralTrak unites artists from an expansive range of creative disciplines to extend and challenge contemporary notions of artistic practice, creative expression, and the role technology plays in these processes.

 

CentralTrak is supported in part by the generosity of numerous donors and partners from the North Texas area and The University of Texas at Dallas.

 

PUBLIC INFORMATION

CentralTrak

Address: 800 Exposition, Dallas, TX 75226

Hours: Saturday 12:00 – 5:00 during exhibitions, tours available by appointment call (469) 232-7298.

Admission: Free

 

Visit our Website at www.CentralTrak.com for more information



For more information contact:
CentralTrak
[email protected]
214-824-9302


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