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The University of Texas
at Arlington


Cadet Corps Alumni Council


This page is in honor and memory of Cadets and Cadre who have passed away. Please help extend the list by mailing or emailing information on deceased members of CCAC to this website. Please provide as many details as possible.


Day is done, Gone the sun,
From the lakes, From the hills, From the sky,
All is well, Safely rest, God is nigh.

Go to sleep, Peaceful sleep,
May the soldier, Or sailor, God keep,
On the land, Or the deep, Safe in sleep.

Love, good night. Must thou go?
When the day And the night Need thee so?
All is well. Speedeth all, To their rest.

Fades the light, And afar,
Goeth day, and the stars Shineth bright,
Fare thee well, Day has gone, Night is on.

Fading light Dims the sight,
And a star Gems the sky, Gleaming bright
From afar, Drawing nigh, Falls the night.

Thanks and praise, For our days,
Neath the sun, Neath the stars, Neath the sky.
As we go, This we know, God is nigh.

Jim Braziel

Robert Darrah

Darrell Kenneth Glenn

Wayne E. Glenn

Gary L. Havard

BG Henry Williams "Hank" Hise

LTG James F. Hollingsworth

Allan Jensen

Roger Kannady

Charles Key

John D. McCubbin

Charles T. McDowell

Nicky Naumovich

Richard Raines

Larry D. Smith

James E. Wright



The Sounding of Taps

Of all of the military bugle calls, none is so recognizable as Taps. The melody is eloquent and haunting. It's origin though, is clouded in myth and controversy.

The best known of these myths is about a Northern boy who was killed figthing for the South during the Civil War.

It began in 1862, during the Civil War when Union Army Captain Robert Ellicombe was with his men near Harrison's Landing in Virginia. The Confederate Army was on the other side of the narrow strip of land. During the night, Captain Ellicombe heard the moans of a soldier who lay severely wounded on the field.

Not knowing if it was a Union or Confederate soldier, the Captain decided to risk his life and bring the stricken man back for medical attention. Crawling on his stomach through the gunfire, the Captain reached the stricken soldier and began pulling him toward his encampment.

When the Captain finally reached his own lines, he discovered it was actually a Confederate soldier, but the soldier was dead. The Captain lit a lantern and suddenly caught his breath and went numb with shock. In the dim light, he saw the face of the soldier. It was his own son. The boy had been studying music in the South when the war broke out. Without telling his father, the boy enlisted in the Confederate Army.

The following morning, heartbroken, the father asked permission of his superiors to give his son a full military burial, despite his enemy status. The Captain had asked if he could have a group of Army band members play a funeral dirge for his son at the funeral. The request was turned down since the soldier was a Confederate. But out of respect for the father, they did say they could give him only one musician.

The Captain chose a bugler. He asked the bugler to play a series of musical notes he had found on a piece of paper in the pocket of the dead youth's uniform. The haunting melody, we now know as"Taps", used at military funerals, was born.

True Origin of "Taps"
Provided by Arrlington National Cemetary;

During the Civil War, in July 1862 when the Army of the Potomac was in camp, Brig. Gen. Daniel Butterfield summoned Pvt. Oliver Wilcox Norton, his brigade bugler, to his tent. Butterfield, who disliked the colorless "extinguish lights" call then in use, whistled a new tune and asked the bugler to sound it for him. After repeated trials and changing the time of some notes which were scribbled on the back of an envelope, the call was finally arranged to suit Gen. Butterfield and used for the first time that night. Pvt. Norton, who on several occasions, had sounded numerous new calls composed by his commander, recalled his experience of the origin of "Taps" years later:

"One day in July 1862 when the Army of the Potomac was in camp at Harrison's Landing on the James River, Virginia, resting and recruiting from its losses in the seven days of battle before Richmond, Gen. Butterfield summoned the writer to his tent, and whistling some new tune, asked the bugler to sound it for him. This was done, not quite to his satisfaction at first, but after repeated trials, changing the time of some of the notes, which were scribbled on the back of an envelope, the call was finally arranged to suit the general.

"He then ordered that it should be substituted in his brigade for the regulation "Taps" (extinguish lights) which was printed in the Tactics and used by the whole army. This was done for the first time that night. The next day buglers from nearby brigades came over to the camp of Butterfield's brigade to ask the meaning of this new call. They liked it, and copying the music, returned to their camps, but it was not until some time later, when generals of other commands had heard its melodious notes, that orders were issued, or permission given, to substitute it throughout the Army of the Potomac for the time-honored call which came down from West Point.

In the western armies the regulation call was in use until the autumn of 1863. At that time the XI and XII Corps were detached from the Army of the Potomac and sent under command of Gen. Hooker to reinforce the Union Army at Chattanooga, Tenn. Through its use in these corps it became known in the western armies and was adopted by them. From that time, it became and remains to this day the official call for "Taps." It is printed in the present Tactics and is used throughout the U.S. Army, the National Guard, and all organizations of veteran soldiers.

Gen. Butterfield, in composing this call and directing that it be used for "Taps" in his brigade, could not have foreseen its popularity and the use for another purpose into which it would grow. Today, whenever a man is buried with military honors anywhere in the United States, the ceremony is concluded by firing three volleys of musketry over the grave, and sounding with the trumpet or bugle "Put out the lights. Go to sleep"...There is something singularly beautiful and appropriate in the music of this wonderful call. Its strains are melancholy, yet full of rest and peace. Its echoes linger in the heart long after its tones have ceased to vibrate in the air."

An excellent website for more information about the origin of Taps is by Jari A. Villanueva, a bugler and a historian. He has been a member of the the U.S. Air Force Band for over 15 years and is considered the country's foremost authority on the bugle call of Taps.