HST 3336:
Politics & Culture in 20th Century Europe


In this century, a central concern of European thought has been the relation between what may seem quite disparate and unrelated phenomena: "politics" and "culture." This course will explore the dynamic interaction of these forces, examing the politics of culture as well as the culture of politics as they have developed in twentieth-century European societies.

To do so, we will examine both major political events of the twentieth century--the two World Wars, the Russian Revolution, the Spanish Civil War--and what has been called the "politics of everyday life." We will atttempt to identify cultural influences on, representations of, and responses to the political. In addition to printed texts, we will explore film, photography and painting as political tools and as forms of cultural expression. The class will combine lectures with frequent discussions.

Required texts :
Italo Calvino, A Path to the Nest of Spiders
Alexandra Kollontai, Love of Worker Bees
George Orwell, Hommage to Catalonia
Erich Maria Remarque, All Quiet on the Western Front
Ignazio Silone, Bread and Wine
Alexander Solzhenitsyn, One Day in the Life of Ivan Denisovich
Virgina Woolf, Three Guineas

Additional readings (marked *) are available in a Reader from Off-Campus Books.

REQUIREMENTS/EVALUATION CRITERIA:
Class preparation and participation; two 5-7 page papers; midterm; final exam.


L=Lecture D=Discussion F=Film
Tues. 1/13 Introduction
Thurs. 1/15 L: World War One
Tues. 1/20 F: The Pity of War
Thurs. 1/22 D: All Quiet On The Western Front
Tues. 1/27 L: The Russian Revolution
Thurs. 1/29 L: The Cultural Revolution
Tues. 2/3 D: Love of Worker Bees
Thurs. 2/5 F: Mother
FIRST PAPER DUE
Tues. 2/10 L: Growth of Fascisms
Thurs. 2/12 L: Everday Life Under Fascism
Tues. 2/17 F: Triumph of the Will
Thurs. 2/19 D: Bread and Wine
journal due in class
Tues. 2/24 L: The Democracies Between the Wars
Thurs. 2/26 D: Three Guineas
Tues. 3/3 F: Why We Fight: Prelude to War
Thurs. 3/5 MID-TERM EXAM
S P R I N G B R E A K
Tues. 3/17 L: The Spanish Civil War
Thurs. 3/19 L: Artists Respond to the Spanish Civil War
Tues. 3/24 D: Homage To Catalonia
Thurs. 3/26 L: World War Two
Tues. 3/31 F: Paisan
Thurs. 4/2 D: The Path to the Nest of Spiders
journal due in class
Tues. 4/7 F: Night and Fog
SECOND PAPER DUE
Thurs. 4/9 L: Decolonization
Tues. 4/14 D: *Albert Camus, "Algeria"
*Franz Fanon, "Concerning Violence"
*Bruce Chatwin, "The Very Sad Story of Salah Bougrine"
Thurs. 4/16 L: Stalin and After
Tues. 4/21 D: One Day in the Life of Ivan Denisovitch
Thurs. 4/23 L: The Politics of Everyday Life
Tues. 4/28 F: La Jetée
Thurs. 4/30 D: *Simone de Beauvoir, Introduction to The Second Sex
*Petra Kelly, "The System Is Broken," "Schumacher Lecture," "Thinking Green"
*Vaclav Havel, "Politics & Conscience"
journal due in class
FINAL EXAMINATION TUESDAY, MAY 5th

 

JOURNAL REQUIREMENTS

Your journal is due at the beginning of class on February 19th (minimum 5 entries), April 2nd (minimum 5 entries), and April 30th (minimum 5 entries).

  1. You must write an entry for each reading assignment. This includes the 7 required books and the additional articles (address all the articles assigned for a particular day in a single entry) for a total of 9 entries.

  2. You must also write an entry for each of the 7 films.

  3. You must, over the course of your journal, write additional entries for at least 4 class meetings. These can be responses to lectures or discussions.

Your journal entries should be between 50 and 100 words. I do not expect perfectly polished prose. You should type your entries. Place each entry on a separate sheet of paper and identify its source with a title across the top. Place the entries in a folder with your name on it. Your entries for the readings should be written before the class in which we discuss the texts, though you can if you wish add entries after discussions.

The purpose of a journal is to give you the freedom to express your initial reaction to the course materials. At the same time, your journal should show a growing intellectual sophistication about the material. Avoid the "isn't this awful" response and do not summarize the material. Instead, try to understand and to contextualize the material and its implications. You may compare readings and draw upon previously discussed material to understand each text. I will specifically be looking for an intellectual effort to understand and situate the material within a historical context. I will also be looking for improvement in your understanding of the material.