HUSL 6308: Fictions and Histories:
Scientific Biography and Autobiography



In this course we will explore biographical and autobiographical narratives, focusing on various ways the form has been employed to contain scientific lives and works. In the history of science, lives of the "great men" of science have long been emblematic and instructive, both symbolizing and informing our conceptualizations of scientific development and discoveries. Few historians, however, now maintain that the form is unproblematic. In literary history, social science and critical theory, life narratives have received increasing attention as a form of specialized discourse and as case studies for understanding individuals' construction of meaning. How do "texts" embody "life"?

Through a careful and critical reading of a selection of scientific biographies and autobiographies, we will discuss the following questions: What is science like? Are scientists different from the rest of us? Do they see themselves and their work as extraordinary, typical, or odd? What do their own accounts of their lives reveal about the nature of their intelligence, creativity, imagination, social skills and ethics? Does gender matter in the lab? Is it possible to trust scientists' view of their own "great discoveries" (are their books "history" or "fiction")? What does telling a great story have to do with doing great science?

The course materials are organized into thematic groups: the dynamics of scientific communities as told through three leading participants' stories of the "race" for DNA; the nature of "genius" in scientific lives (Richard Feynman: physics, Los Alamos, Challenger; E.O. Wilson: sociobiology, insect behavior; Barbara McClintock: plant biology); the experiences of women and ethnic minorities in medicine, marine biology and mathematics.

Several film biographies will be included in the course and others can be viewed for extra credit. NO TECHNICAL OR SCIENTIFIC BACKGROUND NECESSARY.

PRIMARY TEXTS: SECONDARY TEXTS: (Students' choice) GRADED WORK *** Students will be asked to give periodic ungraded "progress" reports on research and writing of papers.

*** In an effort to assure equitable grading for all students, I have an official policy of resisting requests for extensions and "incompletes." In general, we all share in the struggle to balance school with outside jobs, family and other deadlines. If you are having trouble keeping up with the work, please work with me (IN ADVANCE OF MISSING A DEADLINE) to make alternative arrangements. However, please give me the opportunity to help if your situation truly merits special consideration and compassion.


CLASS CALENDAR

THEME 1: Portrait of a Functional-Dysfunctional Scientific Community

wk 1: W. Jan.15:
Intro. to Course: Structure, Expectations, Definitions. Example of scientific autobiographical writing: The case of Loren Eiseley.

wk 2: W. Jan 22:
Watson, James. The Double Helix (Norton) and begin Sayre, Anne. Rosalind Franklin and DNA (Norton)

wk 3: W. Jan. 29:
Finish Sayre and Crick, What Mad Pursuit

wk 4: W. Feb. 5:
Catch-up and Wrap-up: Discussion of DNA texts. Video of "Race for DNA"

THEME 2: The Character of Individual Scientific Genius

wk 5: W. Feb. 12:
Feynman, Richard. Surely You're Joking, Mr. Feynman (Bantam)

wk 6: W. Feb. 19:
Discuss thesis-building, research techniques for seminar papers. Theories of creativity. Video on Feynman.

*** wk 7: W. Feb. 26:
Student reports on "scientific" texts. Research tools orientation (?) --UTD Library

wk 8: W. Mar. 5:
Keller, A Feeling for the Organism; Comparison of Feynman and Keller Progress reports on conceptualization of seminar papers, research

wk 9: W. Mar. 12: ** SPRING BREAK--NO CLASS **

THEME 3: The Experience of Women and Ethnic Minorities in Science

*** wk 10: W. Mar. 19:
Student reports on "A/B" materials. In-class activity on biographies of women in science.

wk 11: W. Mar. 26:
Salber, The Mind is Not the Heart

wk 12: W. Apr. 2:
Manning, Black Apollo

*** wk 13: W. Apr. 9:
First polished drafts of seminar paper due. Discuss work-in-progress

wk 14: W. Apr. 16:
Edited and graded drafts returned. Revision workshop.

wk 15: W. Apr 23:
Kanigel, The Man Who Knew Infinity (first half of book). Continuing consultations on revisions.

wk 16: W. Apr 30:
Finish Kanigel, The Man Who Knew Infinity; revisions assistance

W. May 7:
FINAL REVISED SEMINAR PAPER DUE: high noon in my office.

Last updated: May 29, 1997
Course Descriptions
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