Spring 2015 - Undergraduate Course Descriptions
Description of Course:
The Savage South and the Poor White
Often pictured tending a backwoods still or drug lab, in a serpent-handling revival meeting, or, less often, as survivor of the zombie apocalypse, southern literature is rife with permutations of the sometimes comedic, sometimes rapacious, but always important poor white. But why is this figure so important to southern literature, and what is its place within the context of southern identity? How has the poor white transformed from a maligned figure from which even sympathetic authors distanced themselves to a figure of transcendence with its own voice occupying a landscape that though savage is also beloved? What strategies can we employ to see beyond the stereotype? This semester we will engage the poor white using a variety of strategies including class, gender, encounters with modernity, the tension between a religiously-minded South and commercialism, and the presentation of the poor white within such genres as the gothic and grit lit.
Cormac McCarthy, Child of God
Charles C. Bolton and Scott P. Culclasure, eds., The Confessions of Edward Isham: A Poor White Life of the South
William Faulkner, As I Lay Dying
Lee Smith, Saving Grace
Daniel Woodrell, Give Us a Kiss
Alden Bell, The Reapers are the Angels
A selection of readings from Byrd, Longstreet, Burton, and Tom Franklin's and Brian Carpenter's Grit Lit: A Rough Southern Reader, among others, will be available through e-reserve. The course will also incorporate scenes from documentary film and the film adaptations of Child of God and As I Lay Dying.
Course Requirements/Evaluation Criteria:
Lead class discussion of a representation of the poor white in a short story or popular culture (for example, film, television, music, and so on)