"Berthe Morisot, Woman Impressionist Symposium": EODIAH Symposium - Keynote Talk with Kathleen Adler

Saturday, March 30, 2019, 9:00 a.m. – 12:00 p.m.
Venue: O’Donnell Institute Research Center at the Dallas Museum of Art
Season: 2018-19

The Edith O’Donnell Institute of Art History in partnership with the Dallas Museum of Art are pleased to present the exhibition of Berthe Morisot, Woman Impressionist featuring keynote speaker Kathleen Adler, Dr. Carol Armstrong, and others. Join us for a morning exploring Morisot’s perspective as a woman painter, her technique, her relationship with her sitters, and her connections to Edouard Manet and Mary Cassatt.  Complimentary reception to follow. Please RSVP to Lauren LaRocca [email protected]. Visit EODIAH for more events.

Kathleen Adler
Kathleen Adler co-authored Berthe Morisot (1987) and edited The Correspondence of Berthe Morisot (1986) with Tamar Garb. She contributed an essay, “The Spaces of Everyday Life: Berthe Morisot and Passy” to Perspectives on Morisot, edited by T. J. Edelstein (Hudson Hills Press, New York, 1990, pp. 35–44), and is the author of “The Suburban, the Modern, and ‘une dame de Passy’” (Oxford Art Journal 12, no. 1 (1989), pp. 3–13). From 1995 to 2006, she was Director of Education at the National Gallery, London. Since leaving the National Gallery, she has curated a Renoir exhibition in Rome (2008) and a Van Gogh exhibition in Milan (2015). She is currently a freelance curator, lecturer, and author, contributing regular reviews to the Burlington Magazine, and she is a Pilates teacher.

Dr. Carol Armstrong
Carol Armstrong, appointed to the faculty of the Department of the History of Art at Yale University in 2007, teaches and writes about 19th-century French painting, the history of photography, the history and practice of art criticism, feminist theory, and the representation of women and gender in art and visual culture. She received her PhD from the Department of Art and Archaeology at Princeton University in 1986, and has taught at the University of California, Berkeley; the Graduate Center of the City University of New York; and Princeton University. She has published books and essays on Edgar Degas, Edouard Manet, Paul Cézanne, 19th- and 20th-century photography, and modern and contemporary women artists, and has curated exhibitions at Princeton University Art Museum, the Drawing Center in New York, the Yale Center for British Art, and the J. Paul Getty Museum. 

For more details, please visit: https://www.dma.org/programs/event/special-event-berthe-morisot-woman-impressionist-symposium

For more information contact:
Lauren LaRocca
[email protected]

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