ATEC helps brings experimental films to Nasher

Ultra-seeing image 

A unique series of films exploring the phenomenon of synesthesia and visual music will be screening at the Nasher Sculpture Center starting Sept. 11.

In a collaboration between ATEC and Light Cone, a French film organization that diffuses and preserves experimental cinema, the Ultra-seeing Film Series will feature monthly, hour-long sessions of major works selected from the archives of Light Cone’s collection. The exposition is spearheaded by Dr. Frank Dufour, professor in ATEC, and Emmanuel Lefrant, director of Light Cone with the support of the Cultural Service of the French Embassy in Houston.

The first screening will explore avant-garde cinema of the 1920s and ’30s, exploring movements from Dadism to Surrealism. The series will run until May, 2017.

Admission is free with RSVP. Register for the entire series or individual screenings at www.nashersculpturecenter.org/ultra-seeing.

 

Ultra-Seeing Film Fall Schedule:

Sunday, September 11 / 2 pm: Avant-Garde from the 1920s and 30s

RHYTHMUS 21 by Hans RICHTER (Germany) 1921-1923 / 16 mm / b&w/ silent / 3′ 19

SYMPHONIE DIAGONALE by Viking EGGELING (Germany) 1923-1924 / 16 mm / b&w/ silent / 6′ 40

LICHTSPIEL OPUS I by Walther RUTTMANN (Germany) 1921 / 16mm / color / sound / 11′

ANÉMIC CINÉMA by Marcel DUCHAMP (France) 1925-1926 / 16 mm / b&w/ sound / 7′ 05

DISQUE 957 by Germaine DULAC (France) 1928 / 16 mm or DVD / b&w/ silent / 6′ 00

KREISE by Oskar FISCHINGER (Germany) 1933-1934 / 16 mm / color / sound / 2′ 00

RHYTHM IN LIGHT by Mary Ellen BUTE (USA) 1934 / video / b&w/ sound / 5′ 00

KOMPOSITION IN BLAU by Oskar FISCHINGER (Germany) 1935 / 16 mm / color / sound / 4′ 00

COLOUR BOX by Len LYE (UK) 1935 / 16mm / color / sound / 4′

ALLEGRETTO by Oskar FISCHINGER (Germany) 1936-1943 / 16 mm / color / sound / 2′ 30

TARANTELLA by BUTE Mary Ellen & NEMETH Ted (USA) 1940 / video / color / sound / 4′ 51

 

Sunday, October 9 / 2 pm: Michèle and Patrick Bokanowski

L’ANGE (RESTORED VERSION) by Patrick BOKANOWSKI (France) 1982 / DCP or 35 mm / color / sound / 70′

With filmmaker Patrick Bokanoswki and Michele Bokanowski in attendance.

 

Sunday, November 13 / 2 pm: Structural Film

AXIOMATIC GRANULARITY by Paul SHARITS (USA) 1973 / 16 mm / color / sound / 20′

DRESDEN DYNAMO by Lis RHODES (UK) 1974 / 16 mm / color / sound / 5′

In confrontation with films by local artists.

 

Sunday, December 11 / 2 pm: Musical Paradigm

CONTRATHEMIS : COMPOSITION II by Dwinnell GRANT (USA) 1941 / 16 mm / color / silent / 3′ 00

COLOR SEQUENCE by Dwinnell GRANT (USA) 1943 / 16 mm / color / silent / 2′ 30

RYTHMES 76 by Jean-Michel BOUHOURS (France) 1977 / 16 mm / color / silent / 18′ 00

R by Yann BEAUVAIS (France) 1975-1991 / 16 mm / b&w/ silent / 3′ 00

BERLIN HORSE by Malcolm LE GRICE (UK) 1970 / 16 mm / color / sound / 9′ 00

In confrontation with films by local artists.